Wednesday, January 16, 2013

Maggie's Forge 52: 2/52

It takes great effort for me to sit and be still. The stillness I refer to is inner quietness.  Meditating is something that requires great effort on my part because I am constantly thinking. Sometimes when I mediate it feels like I am walking a crazed dog that is pulling me franticly by the leash. My unquiet mind would be that hyper dog. However, while in India studying Mahayana Buddhism I found myself reaching that stillness. It felt dizzying; like I was sitting in a desk chair and someone was spinning me in circles at maximum velocity. Dizzying and swirling yet pure and calm. I tell you this because the image I had cultivate for this scarf was inspire by this outer body experience.
What is more graceful than a delicate pattern painted onto silk. I have always enjoyed using watercolors as a paint medium. It requires patience and restraint. Painting on fabrics demands a lot of the same technique. After I began painting on silk, it was a full on addiction. Sometimes it is like watching a chemical reaction. Lately, my interest in it has grown since I began my forge project for 2013. I am hoping to expand the scarves I make into a business so stay tuned.

Maintaining a tightly stretched fabric is very important when hand painting silk. Sometimes I use a a fabric stretching frame but the cheaper make shift use of a painting canvas frame with push pins works just as well if not better. I absolutely hate stretching my fabric, without fail something goes wrong or my fingers get raw and worn out. But immediately after the delayed success of the stretching step, I get to concoct the dye colors. This step always makes me feel like I am a witch mixing potions. Perhaps I re-watch my Harry Potter DVD collection too often.   

This scarf is rather basic. It has no resistance lines or pattern created with wax or gutta. But after a long break from painting on silk, I needed to keep it simple. However, there are fun and easy ways to create patterns without the resistance technique, my favorite of such is adding salt. Sprinkling salt onto wet dye draws in the pigments, which creates distortion in colors. I think it looks like a chemical reaction. 

I hope to start creating more patterns and possible have them on an e-boutique. If you read about my last forge project then you know it was a giveaway...the winner is Sarah aka Sparrowhawk! I emailed you so we can arrange the delivery of this gem. 

Hugs,
Maggie 

13 comments:

  1. So pretty. I love how the salt makes the paint look!

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    1. i am always afraid it might look like tie dye, but it has a bit more elegance than that.

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  2. i love hand painted/dyed silks!! you should definitely open up a shop. beautiful :)

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  3. What a lovely description of your meditating, and a beautiful scarf. I love its flowy, watery feel.

    M.

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    1. thank you. watering and floating... great description!

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  4. Wow, that is absolutely beautiful and sounds like such a fun process! I love watercolor!!! Also, I deal with severe OCD and have such a hard time meditating, but it's my goal this year to try harder, relax more and let my mind wander. <3

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    1. meditating in the true form is much more difficult than i ever expected, i am sure you can be successful. sometimes focusing on my breathing is the easiest way to find that stillness in my mind. i know that is easier said than done but i simply visualize clean pure air coming in and dirty air coming out. give it a try. i don't practice as often as i should

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  5. I love the texture in that!
    Do you ever Batik?

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    1. i've only ever used gutta for resistance lines, i'll look into it

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